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Last call from Amelia Earhart · 27 July 2018 by colin newell

Amelia Earhart 1937

Amelia Earhart waded into the Pacific Ocean and climbed into her downed and disabled Lockheed Electra.

She started the engine, turned on the two-way radio and sent out a plea for help, one more desperate than previous messages.

The high tide was getting higher, she had realized. Soon it would suck the plane into deeper water, cutting Earhart off from civilization — and any chance of rescue.

Across the world, a 15-year-old girl listening to the radio in St. Petersburg, Fla., transcribed some of the desperate phrases she heard: “waters high,” “water’s knee deep — let me out” and “help us quick.”

A housewife in Toronto heard a shorter message, but it was no less dire: “We have taken in water . . . we can’t hold on much longer.”

That harrowing scene, the International Group for Historic Aircraft Recovery (TIGHAR) believes, was probably one of the final moments of Earhart’s life. The group put forth the theory in a paper that analyzes radio distress calls heard in the days after Earhart disappeared.

PostLostRadioAnalysis.pdf

In the summer of 1937, she had sought to become the first woman to circumnavigate the globe. Instead, TIGHAR’s theory holds, she ended up marooned on a desert island, radioing for help.

Earhart and her navigator, Fred Noonan, could only call for help when the tide was so low it wouldn’t flood the engine, TIGHAR theorized. That limited their pleas for help to a few hours each night.

It wasn’t enough, TIGHAR director Ric Gillespie told The Washington Post, and the pair died as castaways.

But those radio messages form a historical record — evidence that Gillespie says runs counter to the U.S. Navy’s official conclusion that Earhart and Noonan died shortly after crashing into the Pacific Ocean.

On July 2, 1937, just after Earhart’s plane disappeared, the U.S. Navy put out an “all ships, all stations” bulletin, TIGHAR wrote. Authorities asked anyone with a radio and a trained ear to listen in to the frequencies she had been using on her trip, 3105 and 6210 kilohertz.

It was not an easy task. The Electra’s radio was designed to communicate only within a few hundred miles. The Pacific Ocean is much bigger.

The searchers listening to Earhart’s frequencies heard a carrier wave, which indicated that someone was speaking, but most heard nothing more than that. Others heard what they interpreted to be a crude attempt at Morse code.

But thanks to the scientific principle of harmonics, TIGHAR says, others heard much more. In addition to the primary frequencies, “the transmitter also put out ‘harmonics (multiples)’ of those wavelengths,” the paper says. “High harmonic frequencies ‘skip’ off the ionosphere and can carry great distances, but clear reception is unpredictable.”

That means Earhart’s cries for help were heard by people who just happened to be listening to their radios at the right time.

According to TIGHAR’s paper:

Scattered across North America and unknown to each other, each listener was astonished to suddenly hear Amelia Earhart pleading for help. They alerted family members, local authorities or local newspapers. Some were investigated by government authorities and found to be believable. Others were dismissed at the time and only recognized many years later. Although few in number, the harmonic receptions provide an important glimpse into the desperate scene that played out on the reef at Gardner Island.

The tide probably forced Earhart and Noonan to hold to a schedule. Seek shelter, shade and food during the sweltering day, then venture out to the craft at low tide, to try the radio again.

Back in the United States, people heard things, tidbits that pointed at trouble.

On July 3, for example, Nina Paxton, an Ashland, Ky., woman, said she heard Earhart say “KHAQQ calling,” and say she was “on or near little island at a point near” … “then she said something about a storm and that the wind was blowing.”

“Will have to get out of here,” she says at one point. “We can’t stay here long.”

What happened to Earhart after that has vexed the world for nearly 81 years, and TIGHAR is not the only group to try to explain the mystery.

Washington Post Link

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Spectres of Shortwave Sneak Preview · 7 November 2016 by colin newell

This is a very short interview with a gal from Eastern Canada who is producing a film about the Radio Canada International transmitter site in Sackville, New Brunswick.

Spectres of Shortwave – An experimental documentary film about the RCI shortwave radio towers. Images captured on 35mm film accompanied by personal stories told by people who lived near the towers.

Listen to the Podcast |



Click here to play the audio in your browser -or click the link below to download this short interview…

Amanda-Christie-Sneak-Preview.mp3

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Philippine typhoon relief - help needed now · 14 November 2013 by colin newell

Typhoon Haiyan – locally known as Yolanda –is the strongest typhoon to hit the Philippines in 2013 and arguably the most destructive storm to hit the region in anyone’s memory. The storm has caused widespread damage, including landslides and flooding. Tragically, among the people affected are those who were left homeless by an earthquake in mid-October.

So, I ask you… I beg of my readers:

Donate to the Typhoon Haiyan Fund

The Philippine Red Cross has been on the highest alert since the typhoon was sighted, pre-positioning supplies, helping with evacuation plans and warning communities. Today, they are working to meet the needs of individuals affected by the storm. It is a tough job – and how can we help? With money.

Canadians wishing to help individuals affected by this storm are encouraged to make a financial donation online, at their local Red Cross office or by calling 1-800-418-1111. Please earmark donations “Typhoon Haiyan”. Funds will be used to support Red Cross efforts in all countries affected by the storm.

Our American readers can pop over here to donate.

International readers click over here for the International office of the Red Cross.

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UVic Congress 2013 Main Stage with Buffy Sainte-Marie · 6 June 2013 by colin newell

Buffy Saint-Marie at UVic Congress 2013

It has been a busy week at the University of Victoria with the Annual Congress of the Humanities – with some 7000 delegates and their families, the campus and the city as a whole has been hopping with big thinkers, the learned, the curious and the rest of us.

The reality for me, at UVic, is that every day of the year is an adventure in advanced education. Congress 2013 has been more of an amalgam of thought pressed into a tight 7 day event.

Humanities at UVic encompasses the study of English, French, Germanic and Slavonic studies, Hispanic and Italian studies, History, Latin studies, Greek and Roman studies, Linguistics, Medieval studies, Philosophy, and Women’s studies (hope I did not miss anyone!) –

Within the Faculty of Social Sciences is Economics, Anthropology, Environmental Studies, Geography, Political Science, Psychology and Sociology.

Congress is kind of a conference within a conference… plenary sessions, discussions, summits, society meetings, AGM’s etc – and even executive events for the government group known as SSHRC (Social Sciences Humanities Research Council) – they hand out money and often lots of it.

During the event (and because it is a fairly inclusive event) there were lots of family friendly events, food kiosks, entertainment and attractions on campus and in the Capital regional district.

We actually had a main stage on campus on one of the green spaces that featured afternoon and evening entertainment – many of them local and regional musical groups.

The evening headliner on Wednesday was 60’s legend and Canadian-American singer/artist/activist/educator Dr. Buffy Sainte-Marie. She wrote hits like “The Universal Soldier”, “Up where we belong” from the movie Officer and a Gentlemen, “Until it’s time for you to go”, “Bury my Heart at Wounded Knee” and many others. Her significance and place in the history and evolution of the sixties is well documented – but that only barely scratches the surface of what she accomplished in the 70’s, the 80’s, the 90’s and so on. Her 60’s hits are merely an introduction to a life well lived – with clearly many more chapters to be written.

According to her bio, she has recorded over a dozen and 1/2 albums (with clearly more on the way) has charted 1/2 dozen singles and has sold in excess of 26 million albums. She lives a quiet live on the Hawaiian Islands when she is not on tour – and she is currently on year 3 of a 2 year tour!

At 72 years of age, Buffy looks more like a mid-fifties athlete. I had around 2 minutes of her time the day before the concert while assisting her team on her spoken word lecture at one of UVic’s recital halls. Her demeanor is one of peace, harmony openness and inclusion. She was, after all, an educator before she became a musician. She created the Cradleboard Teaching Project – a curriculum that aims to raise self-identity and self-esteem in present and future generations of Indian children by introducing them to enriching, accurate information about Native American people and cultures. (Wikipedia)

Seeing her in concert with her backing band of rocking all-stars was a far cry from my reminiscences of the late 60’s – however dim and youthful they may have been.
If this lady was a Woodstock era folk musician, there was little evidence of it in the 21st Century. Buffy has clearly been keeping with the times and the technology – apparently using Apple computers to compose new music since the 90’s. So, she is on top of things. And her stage shows reveals the energy of a rock star a fraction of her chronological age – kind of a lady version of Mick Jagger.

She launched right into the classics to an appreciative audience of around 3000 folks – many of them clearly a fan of the folk-World-Native genres. It was a spectacular mix of softer songs contrasted with harder edges pieces – all of them with a message. She did write “Universal Soldier” after all – the treatise on the root causes of conflict and who, ultimately, is responsible. (Us, by the way…)

Her 2 hour set included the body of her best work and (she is prolific!) an unveiling of one of her latest songs – so new that all of her band members had the musical chart in front of them!

I can admit this now, that even though I am not from the 60’s (I was a teen in the 70’s) there was something so resonant about her concert, her stage presence, her voice and message that moved me to tear up several times. And I am pretty sure I was not alone.
She has been a messenger for peace (a pacifist if you would…) since the 60’s and has railed against the culture of war and aggression since the early 60’s – it is even generally accepted that she was “black-listed” by the Nixon and Johnson administration – it’s written that Johnson wrote letters to several radio networks thanking them for suppressing her message of peace. Peace (in the 60’s) was considered a threat to the establishment much as it is now. In reality, her messages are as important now as they were then – if not more so.

She sings about love, the environment, a plea for equity, fairness, justice and a livable World community for future generations – the stuff that is often labeled “terrorism” or “Eco-terrorism” by “The Man” here in the 21st Century. Yup, not like that much has changed.

Anyway – seeing and hearing Buffy Sainte-Marie at the University of Victoria was one of the best outdoor shows I have seen in a long time and easily the most meaningful!

Long life and more music to Buffy! She has an incredible schedule – interested in seeing the legendary Buffy Sainte-Marie live? Head on over here to her Tour Schedule

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Puccini's Tosca - by the Pacific Opera Company - reviewed · 4 April 2013 by colin newell

Tosca by Puccini - Pacific Opera Company

In my life I have seen around a dozen opera’s – many of them classical – some of them I fit into the category of Pop Opera (Like Phantom of the Opera – a modern piece with its feet firmly grounded in the 21st Century…) Puccini’s Tosca fits into that classic tragic opera niche – standard elements, straightforward story line – 2 and 1/2 hours and a body count.

Puccini’s tale of tyranny and love has thrilled audiences since its first appearance in 1900. With all the ingredients for classic opera; – lust, jealousy, murder, suicide, love triangles, plot twists, and a memorable and somewhat by the book score.

Many hard nosed purists would rate Tosca as the “beginners opera” – a simple story line, all the basic elements that make up a classic tragedy – something that most people could follow – even if it is in Italian.

I had the good fortune (Saturday afternoon) in sitting in on a casual rehearsal as well as the Tuesday dress rehearsal – there is nothing more entertaining (for me anyway) of seeing (and hearing) the contextual displacement of a story set in 1900 being performed full voice in 501 Levi jeans and T-shirts (on the tenor and the soprano!) and getting to stand stage left a few feet away from one of the principal singers as they belt it out.

But what of the story?

Political repression, revolution, art and deception unfold, as Tosca – played by the very talented Joni Henson – racked with jealousy over an imagined lover from a canvas, she struggles for comfort and reassurance that is fleeting. Painter Mario Cavaradossi (played by tenor Luc Robert) goes head to head with the sadistic and lascivious police chief Scarpia (played with wicked aplomb by Luxembourg resident and singer David John Pike), who only has eyes of conquest for Tosca – who betrays her knowledge in exchange for Cavaradossi’s life… which turns out to be an additional twist and deception. And so on.

There are opportunities for a more complex narrative and story arc in Puccini’s Tosca – but that would defeat the purpose of keeping it simple. It is, after all, true to the formula of tragic opera with no additional decoration or even the bare smidgen of humor.
The cast is well matched and believable – no one voice rises much above another. If anything, Joni (as the soprano) had fire power to spare but held back just enough.

Impressions: Andrea and I did the dress rehearsal. Consequently, it is a lively evening with a large contingent of opera clubs (middle school students, aspiring musicians, University students) making upwards of 75% of the enthusiastic audience. Sold out in fact.

For ticket holders for the main event this week and weekend, I say – strap yourself in for some good old fashioned classic tragic opera that will please newcomers to this old entertainment genre and those veterans of this music form returning for some twists and surprises.

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