UVic Congress 2013 Main Stage with Buffy Sainte-Marie · 6.06.13 by colin newell
It has been a busy week at the University of Victoria with the Annual Congress of the Humanities – with some 7000 delegates and their families, the campus and the city as a whole has been hopping with big thinkers, the learned, the curious and the rest of us.
The reality for me, at UVic, is that every day of the year is an adventure in advanced education. Congress 2013 has been more of an amalgam of thought pressed into a tight 7 day event.
Humanities at UVic encompasses the study of English, French, Germanic and Slavonic studies, Hispanic and Italian studies, History, Latin studies, Greek and Roman studies, Linguistics, Medieval studies, Philosophy, and Women’s studies (hope I did not miss anyone!) –
Within the Faculty of Social Sciences is Economics, Anthropology, Environmental Studies, Geography, Political Science, Psychology and Sociology.
Congress is kind of a conference within a conference… plenary sessions, discussions, summits, society meetings, AGM’s etc – and even executive events for the government group known as SSHRC (Social Sciences Humanities Research Council) – they hand out money and often lots of it.
During the event (and because it is a fairly inclusive event) there were lots of family friendly events, food kiosks, entertainment and attractions on campus and in the Capital regional district.
We actually had a main stage on campus on one of the green spaces that featured afternoon and evening entertainment – many of them local and regional musical groups.
The evening headliner on Wednesday was 60’s legend and Canadian-American singer/artist/activist/educator Dr. Buffy Sainte-Marie. She wrote hits like “The Universal Soldier”, “Up where we belong” from the movie Officer and a Gentlemen, “Until it’s time for you to go”, “Bury my Heart at Wounded Knee” and many others. Her significance and place in the history and evolution of the sixties is well documented – but that only barely scratches the surface of what she accomplished in the 70’s, the 80’s, the 90’s and so on. Her 60’s hits are merely an introduction to a life well lived – with clearly many more chapters to be written.
According to her bio, she has recorded over a dozen and 1/2 albums (with clearly more on the way) has charted 1/2 dozen singles and has sold in excess of 26 million albums. She lives a quiet live on the Hawaiian Islands when she is not on tour – and she is currently on year 3 of a 2 year tour!
At 72 years of age, Buffy looks more like a mid-fifties athlete. I had around 2 minutes of her time the day before the concert while assisting her team on her spoken word lecture at one of UVic’s recital halls. Her demeanor is one of peace, harmony openness and inclusion. She was, after all, an educator before she became a musician. She created the Cradleboard Teaching Project – a curriculum that aims to raise self-identity and self-esteem in present and future generations of Indian children by introducing them to enriching, accurate information about Native American people and cultures. (Wikipedia)
Seeing her in concert with her backing band of rocking all-stars was a far cry from my reminiscences of the late 60’s – however dim and youthful they may have been.
If this lady was a Woodstock era folk musician, there was little evidence of it in the 21st Century. Buffy has clearly been keeping with the times and the technology – apparently using Apple computers to compose new music since the 90’s. So, she is on top of things. And her stage shows reveals the energy of a rock star a fraction of her chronological age – kind of a lady version of Mick Jagger.
She launched right into the classics to an appreciative audience of around 3000 folks – many of them clearly a fan of the folk-World-Native genres. It was a spectacular mix of softer songs contrasted with harder edges pieces – all of them with a message. She did write “Universal Soldier” after all – the treatise on the root causes of conflict and who, ultimately, is responsible. (Us, by the way…)
Her 2 hour set included the body of her best work and (she is prolific!) an unveiling of one of her latest songs – so new that all of her band members had the musical chart in front of them!
I can admit this now, that even though I am not from the 60’s (I was a teen in the 70’s) there was something so resonant about her concert, her stage presence, her voice and message that moved me to tear up several times. And I am pretty sure I was not alone.
She has been a messenger for peace (a pacifist if you would…) since the 60’s and has railed against the culture of war and aggression since the early 60’s – it is even generally accepted that she was “black-listed” by the Nixon and Johnson administration – it’s written that Johnson wrote letters to several radio networks thanking them for suppressing her message of peace. Peace (in the 60’s) was considered a threat to the establishment much as it is now. In reality, her messages are as important now as they were then – if not more so.
She sings about love, the environment, a plea for equity, fairness, justice and a livable World community for future generations – the stuff that is often labeled “terrorism” or “Eco-terrorism” by “The Man” here in the 21st Century. Yup, not like that much has changed.
Anyway – seeing and hearing Buffy Sainte-Marie at the University of Victoria was one of the best outdoor shows I have seen in a long time and easily the most meaningful!
Long life and more music to Buffy! She has an incredible schedule – interested in seeing the legendary Buffy Sainte-Marie live? Head on over here to her Tour Schedule