Grilled spicy Lamb burgers on the old Weber · 1.07.15 by colin newell
Andrea and I made these from fresh ground Island lamb and fresh herbs from the garden – much like regular beef burgers but with a kick – and they are lamb.
They are around 3/4” thick – I grilled them at around 375 to 425 for 5 minutes on the first side
and 2 minutes on the second side.
1½ pounds ground lamb
2 tablespoons tightly packed finely chopped fresh cilantro leaves
2 tablespoons chopped fresh mint leaves
2 tablespoons chopped fresh oregano
1 teaspoon kosher salt
1 teaspoon ground cumin
1 teaspoon moroccan spice mix
½ teaspoon ground coriander
½ teaspoon freshly ground black pepper
2 garlic cloves, minced
¼ teaspoon ground cayenne pepper
4 kaiser rolls, split
Thinly sliced red onion
2 tablespoons mayonaise
2 heaping teaspoons fresh mint sauce
Served with lettuce and red onion – and any salad on the side you might desire.
Grill with crumbled feta on top.
Pairs well with a robust Red wine.
We interview jazz diva Maureen Washington - home at Christmas · 11.12.14 by colin newell
Bonus audio interview |
It was a windy and wet Thursday night at Habit Coffee & Culture on Yates Street at the Atrium in downtown Victoria when we spoke with the lovely Maureen Washington – Jazz singer, mom of five, vocal coach, and mentor.
Born and raised in Prince George, British Columbia, Ms. Washington draws upon roots in frontier Canada with connections to Mississippi. The granddaughter of a musician, a singing cowboy no less, her musical fabric draws upon influences as diverse as Etta James, Holly Cole, and (to my ears) a very young Momma Thorton.
There is a certain purity, drive and laser focus in the work of Ms. Washington that defies explanation. It’s visceral, heartfelt, uncompromisingly grounded and targeted directly at the heart.
Some of the greatest music of all time is born of pain and is germinated and cultivated in disparity and conflict. Examples include some of the best works by the likes of The Police, Fleetwood Mac, the Beatles and others. Ms. Washington has certainly had her share of challenges but she processes life differently than most of us. She takes life’s most unpredictable curve balls and turns them into positivity. She then distills that positive energy into a musical phrase and the amalgam of this life experience is a beautiful sound, boiled down to its rhythmic essence. For the ears and the heart, it’s a wonderful thing.
Our conversation moved towards Christmas and why, according to Ms. Washington, “it’s the best time of the year and the toughest time of the year.” Her voice takes on a very special strength when tackling some traditional and seasonal material, as it does in her latest Christmas album (available over on CD-Baby). What could have been a painful journey is, in fact, a love story to her husband, her family and the world around her. In her latest CD, “Christmas Is…” Maureen Washington offers up a compendium of seasonal favorites. When taken as a whole, it illustrates a woman’s journey through adversity, guiding us into the now and is a pure celebration of the moment.
I love the overall sound of this CD. It has timeless classics delivered by a skillful vocalist. Ms. Washington comes across as everyone’s next door neighbor during a time of need with a hug and a hot cup of coffee on a snowy Christmas eve.
Ms. Washington is an artist to watch and performs locally and throughout British Columbia. You can visit her webpage over here. Catch her while you can!
Listen to the interview |
Podcast – If you cannot see the audio player above, click here for the mp3 download.
Katie and a world of cards. · 29.11.14 by colin newell
Katie is a lovely 18 year old girl who has Cerebral Palsy. Together with her mom, Sue, they have been making stamped cards since 2007. Prior to receiving assistive technology, Sue used to help her daughter stamp the images on the cards.
Katie has a head controlled stamping machine made for her four years ago by CanAssist. She is now able to stamp the images for her cards through a switch control using her head.
Card making is Katie’s thing and it brings her great joy. She loves making cards and sharing them. Making and selling cards has given her a unique way to connect with people in the community. Additionally, this also allows Katie to give back to the community with the profits from her cards.
Katie has recently had hip surgery which has taken her out of card making commission.
Mom Sue and some of the neighbors put their heads together to see if they could come up with a plan to brighten her recovery. Sue suggested, “Since Katie will not be making cards for a couple weeks, I thought that it would be amazing if bright, beautiful cards made their way to her. Near and Far.”
“We have a world map up. Her sisters will open up the cards and we can mark on the map were they have come from. We have also created a box of inspiration. When someone sends a card if they could put in a single button or piece of ribbon – something cute that Katie can put on a card… That would be great. Once she is back to making her cards she will then have pieces of inspiration from everyone to put on her cards.”
“Please mark on the back of the cards were they are from. I know that Katie will want to look at each and every one for years to come. We are going to put the world map up in her room so she can always see it.”
If you feel like sending a card to Katie, which would be awesome, send them to:
6898 Central Saanich Rd.,
Katie thanks you!
Emerging talent - Kristina Helene - Bengal Lounge 2014 · 24.11.14 by colin newell
I have been going to the Bengal Lounge for the quality atmosphere, entertainment, cocktail culture and great people watching since the early 80’s when I started attending to my post secondary education.
At the time many of the entertainers would have been middle aged men (aged 40 and up) tinkling away at an old piano and singing passable versions of the great American songbook. And yours truly, in his very early 20’s would have sat at the bar in a Harris Tweed coat, white cotton shirt, Hugo Boss tie and suitably matching pants… sipping on a skillfully mixed gin and tonic, hoping with all measure to look grown up.
Flash forward over 30 years and now, it seems, that the Bengal has an entirely new graduating class of star performers vying for our attention. Only difference is, the vocalists and accompanists of the 21st Century have some staying power… and talent.
A case in point: One Kristina Helene. A very-very early twenty something singer with vocal chops light years ahead of her chronological curve on planet Earth.
She dazzled a comfortably populated room at the Empress Hotel with a set of classics that would have been more at home in a much, much bigger club and audience in New York city or Chicago.
Accompanied by the very capable Thomas Kinzel on upright grande piano, Ms. Helene takes us on a sentimental journey of some of the greatest songs ever written – as originally performed by Sinatra, Andy Williams, Leonard Cohen, Bing Crosby and equally influential company. Her ability to finesse a song to greatness verges on the preternatural. Kristina has a sense of rhythm, timing and breath control usually reserved for artists twice her age – and yes, she started very young.
She performed three very tidy sets at the Bengal Lounge – and being the consummate professional gave her piano player a lot of room to showcase his ample grasp of the 88 keys. Kristina’s style defies exact definition in that she does not sound like anyone you have heard in the last 40 years or so. Names like Garland, Peggy Lee, Billie Holliday, Lena Horne and Nina Simone kind of popped into my head – but I could also hear a bit of Adele, Christina Aguilera and Amy Winehouse on a molecular level. It is quite unique. It is immensely exciting and demands your attention.
I had the pleasure of hearing Diana Krall play a small venue on Vancouver Island in the 80’s before she was discovered – this event with Ms. Helene felt exactly like that. So check it out!
Kristina Helene and Thomas continue at the Bengal Sundays from 7 PM until 10PM through December. Do yourself a treat and come down and check out what the future of jazz sounds like. Ms. Helene is a rising star that you should not miss if you have the opportunity. Check out her website over here – Kristina Helene has a stunning YouTube channel over here
Vinyl Tap Stories - Randy Bachman - A book review · 5.10.14 by colin newell
If you were as lucky as I was, young and impressionable, growing up in the mid-sixties – you were about to face down a musical and cultural revolution like no other in Canadian history. And if you were fortunate enough to be of that delicate age and being raised in Canada, you were most definitely in the front row seats for dramatic change, evolution, and revolution where everything the establishment held dear… would be turned on its ear…
At least for a while.
That was the mid-sixties. Growing up in the relatively idyllic confines of the West Coast on the Southern tip of Vancouver Island, a kid like me was surrounded by change – coming at me from all directions. And like any other kid growing up in Canada, our soundtrack was AM radio and Black and White television. And at the time, the AM radio generally got in way more of our attention than the TV.
TV for us, was restricted to the handful of channels we could pick up from a roof top mounted antenna system. And as I recall, we could pick from the following: Channel 2 (CBC Vancouver), Channel 4 (ABC Seattle), Channel 5 (NBC Seattle), Channel 6 (CHEK Victoria) – Channels 7,8,9 would come in depending on the weather conditions – and channels 11 and 12 (CBS Bellingham) would pretty reliable as well. In the 999 channel Universe in which we live, that would seem pretty limiting, but in fact, it was everything.
The TV may have provided the news (often grim reports from Vietnam, global strife in the Middle East, and rioting in the streets of America…) but it was the AM radio that provided the background music, the driving rhythm of our lives. It touched me. It touched every kid of every stripe anywhere in Canada. The CBC and independent AM radio would guarantee that. It was on a portable AM radio that I would tote with my everywhere where I would first hear the Beatles, the Rolling Stones, the Beach Boys, the Doors… and soon, very soon, Canadian popular music!
AM radio in the mid-sixties was generally all American and British all of the time. From time to time one would hear a Canadian artist on the radio but they were generally not identified as such – because it was not cool to be Canadian. It would be the likes of Gordon Lightfoot, The Guess Who, Joni Mitchell, David Clayton-Thomas, Ian and Sylvia, Niel Young, and many others in turn who would change the very ways we perceived ourselves as Canadians and how we forged a place for ourselves in the global music experience.
In Randy Bachman’s uncompromisingly complete “Vinyl Tap Stories”, he outlines, with impeccable and unrelenting detail, his journey, key role, partnership and often incidental participation in so much of the 60’s (and 70’s) mosaic. It was, after all, Randy and his musical partner Burton Cummings, who would musically score the theme music to every Canadian kid’s life between the age of 4 and 24 in the late sixties. Their songs, along with hit after hit by Gordon Lightfoot became part of our fabric, woven into our very nature, defining us as creative and sentient individuals… Canadians all!
Randy’s style, it should be noted, it not particularly dry or clinical – His easy going repartee is that of a story telling uncle… everything in no particular order… but his historical accounting is generally dictionary perfect with lots of “Hey, even I didn’t know that!” twists and turns at the end of many of his accounts.
Randy establishes, early on, that with a lot of hard work, sobriety, faith, dedication and unflinching focus (and a little actual creative talent thrown in…) that even a kid from Winnipeg (and some friends) can put it all on the line and make something big for themselves, and ultimately their fellow Canadians.
And they did. And the Guess Who would put Canada on the map of global cultural history and the history of rock for all time. In later incarnations of Randy Bachman’s musical vision (with the likes of the bands Brave Belt and Bachman Turner Overdrive), he would create music that was shoe-horn fit-perfect for the next generation of kids being raised on radio rock and roll.
Randy Bachman’s Vinyl Tap Stories is not just a book about the work of The Guess Who – it is a wonderful read on the important history of Canada’s place in the counter cultural mind-set of the time. Furthermore, Randy reveals the many influences that every other successful English and American artist had on him and his Winnipeg based musical collaborators. There are even passages about how Antonín Leopold Dvořák (a late 19th century Czech composer) influenced one of his songs!
Randy Bachman is one of very few, if any, important artists in our time that reveals the inner secrets of so many of these great songs – how they came into being – the moments of their conception and so on. If you are a music lover or practicing musician (as I am…) you will love the sweetness of each and every reveal.
Randy Bachman’s Vinyl Tap Stories is a welcome addition to my “Canadian heavy” musical library and a perfect companion piece to his tireless radio program “Vinyl Tap” on CBC Radio. Enjoy!
The Lonely End of the Rink - Grant Lawrence - book review · 1.10.14 by colin newell
Regardless of the decade you grew up, in the last 50 years of the Canadian mosaic – one common theme provided the paving stones for your journey: rock and roll music and outdoor winter sports… most likely hockey.
And chances are, your fabric of choice in this environment would have been denim, leather or blue corduroy – your allowed uniform determined by membership, in cliques often limited to the rockers, the greasers and the rest of us; the young, naive, anxiety ridden innocents lacking a defined identity.
As the twentieth century drifted to its conclusion, several elements of fashion would appear along with more choices in group membership, arguably better music but some (if not all) of the common rites of passage would remain constant; the ever present fear and loathing of growing up in an environment rich with bullying, perceived violence and the emotional roller coaster of adolescence.
In this Grant Lawrence follow up to Adventure in Solitude, he captures the timeless essence of the Canadian male coming of age story – in a rugged and relentless environment of doubt and seemingly endless bullying from his peers.
Here in the 21st Century, bullying has finally been brought into acute focus – for its actual emotional and physical body count. In its engaging first half, Grant pulls us along for a gripping and visceral snapshot of his formative years as he takes us on a dizzying ride down painfully familiar territory.
What separates our now graying and rough sewn memories of youth from Grant’s testimonial is the colorfully crude reminiscence of the accompanying sound track – a veritable letter perfect chronology of regional punk and independent rock – something Grant recalls with impeccable detail worthy of a Ken Burns documentary, all the while illustrating his transformation from a geeky and awkward jock-hating nerd to a place of redemption, contrition and maturity.
The Lonely end of the Rink is actually three books in one (maybe four) – the first half outlines the 12 year adventure of Grants passage from child to teenager in the public school system. In its second half and denouement, Grant discovers the raw power of facing his childhood demons with the blade, the blocker and braving the bully on a level and albeit frozen playing surface.
Sutured into the fabric of this dialogue is a 30 year retrospective of Canadian hockey and a quirky matrix of Canadian musical genuflections – bowing towards hockey, its history, its tragedies, successes and absurdities and how utterly and irrevocably intertwined all these elements are in the Canadian experience.
Grants Lonely Rink is a brisk and bracing icy breeze in your face, a rock and pop cultural timeline and an immensely respectful first person tribute to Canada’s great frozen obsession – impossible to put down until the final period. Gritty, accurate and equally painful, it is a welcome addition to the Grant Lawrence collection of great stories.