Rites of Spring #15 - Gadgets - playing with the TASCAM US-100 interface · Saturday May 15, 2010 by colin newell
This is the first in a series of features focusing on the geek aspects of my life under the category of digital audio.
I have a home based studio powered by a 3.2 Ghz PC running Windows XP. One of my main audio interfaces in the M-Audio Delta 44 4 channel audio interface tied into a 12-in / 2-out Behringer analog mixing board. I use APEX floating plate microphones and Adobe audition software for multi-track audio recording and mastering.
An old friend of mine needed a portable USB interface device that would handle phono inputs from his turntable into his slightly older PC. After a bit a research and phone calls to the good folks at Long & McQuade, I had my hands on the very affordable TASCAM US-100 multi-mode USB audio interface.
The TASCAM’s US-100 bridges a wide variety of analog devices like cassette decks and turntables as well as guitars, basses, keyboards and non-phantom powered microphones into your PC or MAC. The microphone input handles any dynamic microphone (like the SHURE SM-58), or you can plug in your guitar or bass directly into the instrument-level input. Stereo line inputs can be switched to RIAA phono level for digitizing your LP’s from any turntable. A USB 2.0 connection guarantees hassle free playback on any Mac or Windows box, and solid aluminum construction looks like it could survive anything I could throw at it.
The online specs read: The US-100 records in stereo at CD-quality 48kHz/16-bit resolution and includes a free copy of Audacity software to get you started.
Oddly my sample did not come with any software but the fabulous AUDACITY software is readily downloaded along with a veritable forest of plug-ins.
I was up and running in minutes and playing my guitar directly into my PC (and then my MAC Powerbook for good measure) – I then patched one of my favorite semi-pro cassette decks from the 80’s – the JVC DD-5 into the RCA inputs on the TASCAM US-100 for some whisper quiet recording on the PC. Some of my song demos from the 80’s, however banal nowadays, sure sounded sweet through this set-up. And NO, no one is ever hearing those demos!
The TASCAM US-100 has a single balanced XLR and 1/4” unbalanced microphone input, as well as unbalanced stereo RCA line ins and outs. I have been using TASCAM products since the 1980’s (with the venerable TASCAM 144 and 244 cassette multi-track units.) As usual, TASCAM and Long & McQuade have never let me down. Their staff are awesome and no matter where you go in Canada, you are going to be singing the praises of Long & McQuade and Tascam products.
2010 series Life in the Byte Age chapter one · Sunday January 3, 2010 by colin newell
I have a couple of things in common with some of the big pop stars in the World. I have written an albums worth of music and a chunk of the lyrics to go along with it.
One of the biggest differences is – I have sold under 1000 CD’s (compared to millions and millions for some artists) and that is (in part) because I am decidedly, if not staggeringly, less talented than most.
The other thing I did is, having embraced modern technology, having made some, if not all, of the material free to hear online prior to purchasing – on CBC3
One thing I feel very strongly about is the ability to protect intellectual property – but in order to do that, one must live within a society that subscribes, at least on some level, to the theory that music (and the arts) are actually worth something.
U2’s front man, Bono is calling for better restrictions on the internet to protect artists and their work. In his regular column for the New York Times, which the pop singer began a year ago, Bono says downloading is becoming all-encompassing.
“The only thing protecting the movie and TV industries from the fate that has befallen music and indeed the newspaper business is the size of the files,” he wrote.
Bono predicts people are only a few years away from downloading movies in a few seconds.
And I think that Bono and I are seeing exactly the same philosophical and ethical phenomenon: That society as a whole sees music and art, movies and television as something to be picked off of a communal apple tree. With impunity. Without a twinge of guilt. Because it’s there.
Most of my creative friends (and an equal number of the non-creative ones) feel that it is OK to download (steal) music and movies and TV shows. Some insist that they will tend to buy more music if they have the opportunity to download some first. That is like saying, “I promise to buy more fruit as long as I can steal some of the vegetables…”.
I mean, if the same rules, that applied to the internet, applied on the streets of your town, we would be free to loot stores of their goods. What is the difference?
I can proudly say that I have yet to download a song, movie or a TV show. It is about worth. Having been through the exercise of actually taking out 10 months of my life to produce, what I thought, was some good music – I always felt that it was worth something.
Where Bono and I might diverge in opinion is this: We have opened the flood gates to a lifestyle – and a conscience free choice in behavior. I find it hard to believe that we can now close these doors after they have been opened.
This is Blog Number 602 since the Spring of 2005. Crikey!
Summer Food Fun and Drink Chapter 9 why I play the guitar · Tuesday July 7, 2009 by colin newell
Spring into birdsong - why we do not twitter · Sunday April 19, 2009 by colin newell
I embrace technology. Heck, I have been doing this for too many years. When I first started monkeying around on the internet, there were no web servers. They were called gopher servers – and they served up text.
My first attempts at webbing were launched from a Windows 3.11 for Work groups box (an IBM PC) around 1995 or so. That was a century ago in internet time.
So now we have streaming audio and video and dynamic web pages that change with every glance. I am good with that, dog. Really I am.
I believe that I owe it to my dedicated reader that I keep it fresh and real.
I do not believe, however, that there are more than a very small handful of people out there that would hang onto every word – if I offered truly up to date snippets of my every thought.
Twitter.
I do not do it. I will not do it.
No one needs to know what I am thinking when I am standing on the corner of 1st and Main Street. No one needs to know when I am sipping on a truly great coffee in a remarkable setting. I can tell them later.
Twitter is an alarming indication that we are getting a tad too self indulgent.
I went through the eighties – I was in my 20’s. And let me tell you folks… the only difference between then and now (for me) was more hair and more hair gel… and a lot more self indulgent behavior from just about everyone around me.
I have a theory. We never actually left the eighties. The mentality is still very much alive in all of us. There are many of us that actually feel that there is an audience for our every utterance, our every stomach gurgle, our every thought – however useless and every trivial thought that jumps from our synapses.
Enough already. How about some quiet.
Take some… on me.
Colin Newell is a Victoria resident and long time user of the World Wide Web. His handiwork has graced the cyber-World for going on 2 decades… if anyone is counting that is.
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